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Articles from section "art, literature, digital culture studies "
Back to “Reality”: A Review of Cheng Lin’s RoboHumanities: Imaginations, Narratives, and Ethics regarding Robots
- Year: 2026
- Volume: 7
- Issue: 1
- 7
- 144
- Pages: 203-212
Ecological Aesthetics and the Ecological Vector of Modernization in the Far East and the Western World
- Year: 2026
- Volume: 7
- Issue: 1
- 4
- 128
- Pages: 103-120
Natural Language Processing and the Representation of Phenomenal Experience
- Year: 2025
- Volume: 6
- Issue: 4
- 9
- 536
- Pages: 217-239
AI vs. Human: Translating Cultural Nuances in Naguib Mahfouz's The Cairo Trilogy
- Year: 2025
- Volume: 6
- Issue: 4
- 21
- 639
- Pages: 168-193
The Sermons of the Metropolitan Filaret – Technique of Composition, Order and Logic of Linguistic Presentation
- Year: 2025
- Volume: 6
- Issue: 4
- 11
- 565
- Pages: 150-167
The Mystery of Arshak, Vasak and Shapur in Faustus of Byzantium's “History of Armenia”: An Experience of Hermeneutical Reconstruction
- Year: 2025
- Volume: 6
- Issue: 4
- 15
- 553
- Pages: 139-148
The Universal Machine of Tragedy: From Cultural Archetypes to Artificial Intelligence
- Year: 2025
- Volume: 6
- Issue: 4
- 19
- 640
- Pages: 93-115
Avantgarde Machines: On the Integration of Technology and Art
- Year: 2025
- Volume: 6
- Issue: 3
- 28
- 1162
- Pages: 80-96
The Piano as Therapeutic Participant in the Drama of Pink Mouse
- Year: 2025
- Volume: 6
- Issue: 1
- 18
- 1463
- Pages: 54-69
Mediaopera and Digital Opera: Musical Conceptualism and Modern Technologies
- Year: 2025
- Volume: 6
- Issue: 1
- 18
- 1766
- Pages: 42-53
From Eisenstein to Einstein: The Ultimate Guide to Mediaopera
- Year: 2025
- Volume: 6
- Issue: 1
- 14
- 1509
- Pages: 28-41
Everything You Wanted and Didn’t Want to Know about Mediaopera: A Cryptophonic Memoir
- Year: 2025
- Volume: 6
- Issue: 1
- 12
- 1487
- Pages: 14-27
Experimental Translation Assessment – A Recipient-Oriented Approach
- Year: 2024
- Volume: 5
- Issue: 4
- 26
- 1603
- Pages: 71-83
A Philosophical Analysis of Moral Choices in the Game The Witcher 3: Wild Hunt
- Year: 2024
- Volume: 5
- Issue: 1
- 117
- 4381
- Pages: 153-168
Mixed Reality as a Technology for Immersive Stage Space Construction
- Year: 2023
- Volume: 4
- Issue: 4
- 43
- 2442
- Pages: 104-125
Binocular Dissociation in Ethnographic Narratives of VR Art
- Year: 2023
- Volume: 4
- Issue: 4
- 23
- 1948
- Pages: 90-103
Optimist by Nature, Pessimist by Design: Writing Network Cultures
- Year: 2023
- Volume: 4
- Issue: 3
- 29
- 2297
- Pages: 118-128
Mythologies: The Spirit of Technology in its Cultural Context
- Year: 2023
- Volume: 4
- Issue: 2
- 27
- 2119
- Pages: 1-6
Unfolding Actor-Network Theory: What Bruno Latour’s Notion of Folded Space Could Learn From Origami
- Year: 2023
- Volume: 4
- Issue: 1
- 58
- 2776
- Pages: 40-59
Magic Materialism: From Atmospheric Technologies to Architectures of Affect
- Year: 2022
- Volume: 3
- Issue: 4
- 23
- 2134
- Pages: 101-124
The Pledge, the Turn, the Prestige: The Border Between Magic and Technology as Practices
- Year: 2022
- Volume: 3
- Issue: 4
- 33
- 2813
- Pages: 30-41
Industrial Music, Noise, and the Sound of Machines
- Year: 2022
- Volume: 3
- Issue: 3
- 59
- 4293
- Pages: 58-72
Affirming and Denying the Hybrid Character of Robots: Literary Investigations
- Year: 2022
- Volume: 3
- Issue: 1
- 26
- 2178
- Pages: 136-146
Virtual Communication Technologies in Modern Drama for Teenagers
- Year: 2021
- Volume: 2
- Issue: 4
- 24
- 2359
- Pages: 94-108
First and Last Things: The Signatures of Visualization-Artists
- Year: 2021
- Volume: 2
- Issue: 2
- 34
- 2615
- Pages: 96-105
The Technical Transformation of the Literary Epigraph
- Year: 2021
- Volume: 2
- Issue: 1
- 219
- 3444
- Pages: 122-133
Non-Technological Narratives about Technology in Russian Science Fiction
- Year: 2020
- Volume: 1
- Issue: 1
- 41
- 2912
- Pages: 81-84