T&L
    Technology and LanguagePeter the Great St. Petersburg Polytechnic University
    Since 2020
    ISSN 2712-9934 18+
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    Voice(s)
    Year: 2026
    Volume: 7
    Issue: 2 (23)
    Pages: 222
    482
    10730
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    Voice (s) — An Introduction

    art, literature, digital culture studies
    Frehe H.Ríos M. J.Shcherbak A.
    • 33
    • 658
    • Pages: 1-6

    The Puppet’s Voice: From Mechanical Mimesis to Algorithmic Interface

    anthropology and technology, human-machine interactions
    Markov A. V. Shtayn O.
    • 29
    • 639
    • Pages: 7-22

    Concrete Structure, Fragile Voice: The Bunker as an Interface

    art, literature, digital culture studies
    Gieshoff A.
    • 28
    • 644
    • Pages: 23-37

    The Gusli as Instrument for an Artistic Synthesis of Word, Voice, Media, and Technology

    principles of construction and design
    Kukushkin D.Kurakov S.
    • 67
    • 855
    • Pages: 38-56

    The Machinery of Weaving and the Woven Being: Decolonial Voices through Textile Computation

    social relations in the technosphere
    Ríos M. J.
    • 11
    • 615
    • Pages: 57-65

    Zero and the Machine: The Metaphysics of the Mechanical Voice in the Russian Avant-Garde

    art, literature, digital culture studies
    Markov A. V. Sosnovskaya A.M.
    • 23
    • 631
    • Pages: 66-78

    To Hear the Form, to See the Sound: «The Voice of Matter» in Artistic Language

    semiotics, technology, and the order of things
    Erofeeva O.
    • 33
    • 717
    • Pages: 79-90

    Sound in New Educational Formats: Radio and the Image of the Soviet University of the Future in the 1920s

    social relations in the technosphere
    Aladyshkin I.Ulyanova S. B.Anosova N.E.
    • 16
    • 641
    • Pages: 91-103

    The Microphone as a Medium of Authenticity in Soviet Estrada Song

    social relations in the technosphere
    Nikonov A.
    • 49
    • 939
    • Pages: 104-117

    Giving Voice to Silent Film: Iraida Yusupova’s Music for «Space Flight» (1935)

    art, literature, digital culture studies
    Irza N.
    • 10
    • 581
    • Pages: 118-127

    Displaced, Distorted, Reclaimed: «Voice» in Metal Music

    art, literature, digital culture studies
    Elnur A.
    • 59
    • 749
    • Pages: 128-145

    Whispers of a Fibre Optic Cable — Technogenic Echoes as Eerie Technofutures in Wilke Weermann’s Unheim

    social relations in the technosphere
    Pezzica L.
    • 25
    • 602
    • Pages: 146-157

    Dead City: The Semiotics of Post-Apocalyptic Urbanism in Contemporary Cinema

    art, literature, digital culture studies
    Margaryan Ye.
    • 16
    • 634
    • Pages: 159-171

    The Concealment of Meaning — On Husserl’s Triple Critique of Mathematical Technization, Mathematization as Technology, and the Technization of Natural Sciences

    history and philosophy of technology
    Zhou B.
    • 11
    • 596
    • Pages: 172-188

    Challenges of Cognitive Capitulation on Mastering Academic Disciplines in the Digital Environment

    education and communication, professional culture
    Dubinina G. A. Stepanyan I. K.
    • 17
    • 614
    • Pages: 189-209

    Measuring the Invisible: A Review of Thomas Morel’s «Underground Mathematics»

    semiotics, technology, and the order of things
    Liu S.Deng P.
    • 20
    • 615
    • Pages: 211-220