This essay presents observations concerning the evolving relationship between humanity, technology, and nature through the lens of Lars Gustafsson's poetry. It traces a trajectory beginning with the poem “The Machines,” which portrays a mechanistic worldview where humans and machines are co-participants in a mechanical, puppet-like existence, offering a “peculiar consolation” in a shared lack of secrets. The text  then moves to “The Wright Brothers Visit Kitty Hawk,” identified as a crucial “bridge” that disrupts this mechanical unity by introducing a moral dimension. This poem introduces concepts of guilt and responsibility (against the backdrop of a “Gnostic darkness”), casting humans as moral agents who can use technology for good or evil. Finally, the article examines “Polhem’s Ore Hoist” as the “overcoming of the motive,” where the purely mechanical gives way to a triumphant organic life and a form of natural, instinctive knowledge. The essay concludes by contrasting Gustafsson’s poetic journey with contemporary transhumanist thought, which, it argues, focuses on a machine-centric view not out of a search for unity, but out of a desire to control and perfect an inadequate nature.