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<article article-type="research-article" dtd-version="1.3" xml:lang="ru">
  <front xmlns:xlink="http://www.w3.org/1999/xlink">
    <journal-meta>
      <journal-id journal-id-type="elibrary">75447</journal-id>
      <journal-title-group>
        <journal-title>Technology and Language</journal-title>
        <trans-title-group xml:lang="ru">
          <trans-title>Технологии в инфосфере</trans-title>
        </trans-title-group>
      </journal-title-group>
      <issn pub-type="epub">2712-9934 18+</issn>
    </journal-meta>
    <article-meta xmlns:xlink="http://www.w3.org/1999/xlink">
      <article-id pub-id-type="publisher-id">10</article-id>
      <article-id pub-id-type="doi">10.48417/technolang.2021.02.10</article-id>
      <title-group>
        <article-title>First and Last Things: The Signatures of Visualization-Artists</article-title>
        <trans-title-group xml:lang="ru">
          <trans-title>Первое и последнее: подписи художников-визуализаторов</trans-title>
        </trans-title-group>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <contrib-id contrib-id-type="orcid">0000-0002-2173-4084</contrib-id>
          <contrib-id contrib-id-type="scopus">17344631600</contrib-id>
          <name>
            <surname>Nordmann</surname>
            <given-names>Alfred</given-names>
          </name>
          <xref ref-type="aff" rid="aff1"/>
          <email>nordmann@phil.tu-darmstadt.de</email>
        </contrib>
      </contrib-group>
      <aff id="aff1">Institut für Philosophie, Darmstadt Technical University</aff>
      <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2021-06-30">
        <day>30</day>
        <month>06</month>
        <year>2021</year>
      </pub-date>
      <volume>2</volume>
      <issue>2</issue>
      <issue-id pub-id-type="publisher-id">3</issue-id>
      <fpage>96</fpage>
      <lpage>105</lpage>
      <self-uri xmlns:xlink="http://www.w3.org/1999/xlink" content-type="pdf" xlink:href="https://soctech.spbstu.ru/userfiles/files/articles/2021/2/96-105.pdf"/>
      <abstract xml:lang="en">
        <p>Nanotechnology began for real when Don Eigler and Erhard Schweizer used 35 xenon-atoms to spell the name of their sponsor “IBM.” The resulting image has since been called “The Beginning” and, indeed, physical processes at the molecular level have since been used countless times to write the names of laboratories and sponsors and sometimes logos (including, of course, the White House and the American Flag). Indeed, when we conquer new territory, we tend to mark our presence and produce a souvenir of it by carving our name. But the first things we do may express our final purposes and thus already anticipate the last things we do. By signing their names as artists do, nanoscale researchers have claimed not only specific accomplishments but also their proximity to the arts – they are embarking on an explicitly creative project, namely to shape the world atom by atom in their own image.</p>
      </abstract>
      <kwd-group xml:lang="en">
        <kwd>Molecular writing</kwd>
        <kwd>Signatures</kwd>
        <kwd>Names</kwd>
        <kwd>Theoretical understanding and technical control</kwd>
        <kwd>Willfulness</kwd>
      </kwd-group>
    </article-meta>
  </front>
</article>
